This chapter is based on a qualitative interview study of the life worlds of ten women songwriters in Germany. It addresses the hypothesis that women songwriters, as part of the patriarchal structures of the music business, exist in a parallel society where they are underrepresented and confronted with gender-specific challenges that are often not perceived as such by their environment. The question of how the interviewees managed to gain a foothold in a male-dominated world is explored; the general and gender-specific challenges and stressors that come with the (musical) socialization and everyday life of songwriters are elaborated. Empowerment strategies are discussed and perspectives are presented that may contribute to a (structural) change and an improvement to the working and living conditions of songwriters.
CONTINUE READINGAutor: Melanie Ptatscheck
Melanie Ptatscheck is a research scholar at the Department of Music at New York University and a fellow of the Walter Benjamin program of the German Research Foundation (DFG). Focusing on mental health from a social science perspective, she works at the intersection of popular music studies and public health. Her research interests include music and wellbeing, health narratives in popular culture, drug addiction, self-concepts, and urban music cultures. In 2019, she received the Record Union Award (73 percent initiative) for her qualitative research approaches to musicians’ mental health. She currently researches the impact of COVID-19 on the wellbeing of subway performers in New York City. Contact: melanie.ptatscheck(a)nyu.edu