Herausgegeben von / edited by
Anja Brunner & Hannes Liechti
[FULL PDF (revised version 2024)] [FULL PDF (version 2021)]
Populäre Musik ist intrinsischer Teil unserer globalisierten Welt. Eine Welt, die längst keine gerechte ist. Machtverhältnisse («power»), Verortungen («place») und Positionen («positions») bestimmen alle Aspekte unseres Lebens fundamental: Es spielt eine Rolle, in welchem Kontext, welcher Region, Klasse, oder ethnischen Zugehörigkeit eine Person, eine Institution, oder eine Musik positioniert ist. Der erste Band der IASPM D-A-CH-Reihe ~Vibes betrachtet (globale) Machtbeziehungen und Repräsentationen der Differenz in populärer Musik und den Popular Music Studies. Basierend auf Vorträgen der IASPM D-A-CH Konferenz 2018 versammelt dieser Band Artikel aus verschiedenen Disziplinen mit Fokus auf die Bereiche Bildung, Wirtschaft, Globalisierung und Politik.
Popular music is embedded in and connected to our globalized world. A world that is, however, not an equal and fair one. Issues of power, place, and positions play a fundamental role in all aspects of life: It matters in which context, world region, class, or ethnic belonging a person, an institution, a music is situated. The first volume of the IASPM D-A-CH series ~Vibes looks at (global) power relations and representations of differences in popular music (studies). Based on papers held at the IASPM D-A-CH conference in Bern 2018, this volume presents seven articles from various disciplines, discussing education, economics, globalization, and politics.
Inhaltsverzeichnis / Contents
Anja Brunner, Hannes Liechti
Pop–Power–Positions: Engaging with the (Post)Colonial in Popular Music Studies. An Introduction
[ONLINE] [PDF]
Thade Buchborn, Verena Bons
„And It Turns Out that It only Has Two Chords“: Secondary School Music Teachers‘ Orientations on Dealing with Learners‘ Music Cultures in the Classroom in Germany
[ONLINE] [PDF (revised version 2024)] [PDF (version 2021)]
Steffen Just
Zur Doppelstruktur und Ambivalenz der Differenz: Inszenierungen von Anderen im populären Musiktheater, 1890–1930
[ONLINE] [PDF]
Dietmar Elflein
What Is Soul?
[ONLINE] [PDF]
Chelsea Oden
Dance as Political Activism: Two Popular Choreomusical Responses to the Orlando Shooting
[ONLINE] [PDF]
Christina Richter-Ibáñez
When „Ojos así“ Became „Eyes Like Yours“: Translation as Negotiation of Lyrics, Sound, and Performance by Shakira
[ONLINE] [PDF]
César Jesús Burgos Dávila, David Moreno Candil, Helena Simonett
State Censorship and the Controversy Surrounding the Narcocorrido Genre in Mexico
[ONLINE] [PDF]
Beate Flath
Data Based Co-Creation and Participation: Reflections on an Ambivalent Relation by the Example of Music Apps
[ONLINE] [PDF]
Impressum / Imprint
© 2021 IASPM D-A-CH, Berlin
ISSN 2748-6389
Copy Editing Englisch: Norma Coates, London (Canada)
Assistenz: Hannah Plüss, Bern
Layout & Cover: Claudia Schacher, Wien
Coverphoto: Karin Scheidegger, Bern
Cover Photo: Dis Fig performing at Norient Film Festival NFF in Bern, Switzerland (© Karin Scheidegger, 2017)